They allow for different high or low frequencies to be adjusted, allowing for a more balanced and enhanced sound so that you can sound more professional throughout your podcast. Related: Best Equalizer Settings Why Do Equalizers Exist?Įqualizers are a crucial component in sound production and amplification. An equalizer, or EQ for short, is a tool that can adjust the frequency range and levels of a sound in order to enhance or diminish certain aspects of it.īy boosting the bass frequencies and treble levels or cutting out background noise, an EQ can improve the overall sound quality and make it more enjoyable to listen to.Įqualizers are commonly found in audio equipment such as headphones and music mixing software, but they can also be used in video editing to adjust the sound of voices and background noise. Let your ears guide the way.Have you ever wondered why some songs sound better on specific devices than others? Regardless of which tools you choose, don’t get wrapped up in what your EQ curves look like. ![]() You can certainly use a parametric EQ on a wedge and you can also use a graphic EQ on any particular input. Overall, there aren’t hard and fast rules for EQ. Run a mic through it and hear what those frequencies sound like on your voice. If you have access to a graphic EQ, play music through it and start boosting and cutting various frequencies. Knowing exactly what these frequencies sound like is an invaluable skill. Every graphic EQ uses the same 31 frequencies, no matter what the manufacturer, so it’s standard to ask for a cut at, say 630Hz, or 3.15k. Engineers with a lot of experience know these frequencies well. Since wedges sometimes need to be really loud, you might have to do quite a bit of cutting along the graph.Īs you mix more and more shows, you find that certain mics or certain wedges will be problematic at the same frequencies all the time. The frequencies you need to notch out will change depending on the mic, the wedge and the room you’re in. On digital consoles, we work almost exclusively with sweepable bands.Īs we’re boosting or cutting gain with EQ, we not only have control over which frequency we’re affecting, but how wide or narrow the band is. EQ bands that let you adjust the frequency are called sweepable. For instance, on some consoles the low frequency knob may be fixed to 80Hz. Sometimes the frequency assigned to a particular band is fixed, meaning you can’t change it. You can also choose which frequencies to boost or cut. (You may realize it’s too much, in which case, pull back a bit!) When no frequencies are boosted or cut, this is called a flat EQ. There’s no right answer for how much gain to boost or cut, but starting out with 3-6dB and re-evaluating from there can set you on the right path. This is a big move that can drastically change a sound. With the gain knob, we’re generally able to boost or cut up to 12dB on each band. ![]() Bandwidth, also called Q, adjusts how wide or narrow of a frequency band you affect. Frequency, just as it sounds, determines which frequencies are being boosted or cut. Gain determines how much is being boosted or cut. On each frequency band of a parametric EQ, there are three important parameters: gain, frequency and bandwidth/Q. 7-band EQs are also fairly common - and very powerful.īut, of course, every console is slightly different and features will vary depending on the quality and whether it's analog or digital. Many pro consoles will have a 4-band EQ for lows, low-mids, high-mids and high frequencies. This might look like one knob for the high frequencies, one for the mids and one for the lows. With parametric EQ, there are often three or four different bands.
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